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HERBERT KUHNER Romancier, Lyriker, Dramatiker und Übersetzer ist 1935 in Wien in geboren. Er emigrierte 1939 in die Vereinigten Staaten und studierte an der Lawrenceville School und Columbia University. Nach Wien kehrte er 1963 zurück, wo er als ein freier Schriftsteller und Übersetzer lebt.

Die Wiener Zeit

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Remigration

Another topic I have “touched upon” is “remigration.” This word is a neologism, which means coming back to where you have been driven out.I've always said that I wanted a smooth ride, but I couldn't help rocking the boat. Rocking seems to be in my genes.

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Remarkable People

On the road I have traveled, I have met many remarkable people. First I name my friend and mentor the late Emile Capouya. “Mike” encouraged me over the years and published two of my books in New York.

Herbert Kuhner

grew up in the United States, associating with the New York City jazz and coffee scene in the 1950s. ". . .I've always said that I wanted a smooth ride, but I couldn't help rocking the boat. Rocking seems to be in my genes". As a subtitle I’ve chosen “Stepping out of line,” which is a movement my feet can’t seem to avoid making.

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Vienna Today

Returning to my birthplace has given me a unique opportunity of writing on Third Reich Revisionism. This topic interlinks with Violence under the Guise of Art like pieces of a puzzle to reveal how the past manifests itself in the present.

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Max Roach has left us!

Max

Max has left us at the age of 83.
He started off with Dizzy and Bird
in the Forties.
Bebop was the name of the game.
Then Max went on into the Realm of Cool
and he never stopped moving.

Here are he is in his own words:
“You can’t write the same book twice.
Though I’ve been in historic musical situations,
I can’t go back and do that again.
And though I run into
artistic crises, they keep my life interesting.”

Isn’t that the case for all artists?
You have to move forward,
and if you can’t do that,
the crisis is a lasting one.

As Max said, he had crises,
but they were short lived,
for Max was a genius at the kit,
as well as a genius musically speaking.

The list of musicians Max played with
reads like Who’s Who in jazz.

He even duelled the fastest drummer
this world has ever seen,
Buddy Rich by name
and Max did pretty well.
Let’s say, he pushed Buddy
like no one before or after him.

And here’s a closing quote by Max:
“I always resented the role of a drummer
as nothing more than a subservient figure.”

Yes, he spoke for all drummers,
and we’ll all miss the great Max Roach.

from Swing Men and Women
by Herbert Kuhner

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